Alexander Fredriksson

Bachelor of Fine Arts (Photography)

From constant and sudden displacement in place of stability comes my notion of ‘home’. Distorted and blurry, some memories remain, albeit saturated under a guise of fondness and time. Distorted too is the line between objective truth and memory, a fact becomes an anecdote becomes a memory becomes a blur. A warm balmy dusk, a suburban Perth street, a building site; from this a disconnect of time and space evoking feelings of warmth, domestic structures and childhood.

Glass Homes.

Social

Instagram

Enquiries

alexrf2002@gmail.com
@alexx.com.au

Featured in tour

Artsworker Run Space →

Photo of a glowing tombstone in a graveyard — ALEX FREDRIKSSON, Tomb, Analogue chromogenic print, 2022.

Installation view of a framed photo of a bus driving past an elecitity box resting on two wooden blocks on the floor, a framed photo of a glowing tombstone in a graveyard, and the wooden frame of a wall with a glass brick window in it. — ALEX FREDRIKSSON, Glass Homes - installation view, framed chromogenic prints, glass bricks, structural pine, 2022

A framed photo of a bus driving past an elecitity box resting on two wooden blocks on the floor — ALEX FREDRIKSSON, 501, framed chromogenic print, structural pine, 2022.

A framed photo of the sea at sunset with a jetty and pontoon in the water — ALEX FREDRIKSSON, Beach Road, framed chromogenic print, 2022.

A framed photo of the sea at sunset with a jetty and pontoon in the water — ALEX FREDRIKSSON, Beach Road, framed chromogenic print, 2022.

A framed photo of orange clouds at sunset — ALEX FREDRIKSSON, Sunset, framed chromogenic print, 2022.

A framed photo of orange clouds at sunset — ALEX FREDRIKSSON, Sunset, framed chromogenic print, 2022.

A close up photo of a window made of glass bricks — ALEX FREDRIKSSON, House frame, glass bricks, structural pine, 2022.

Alexander Fredriksson

Nnamdi Ekeledo-Smith

Benita Beveridge

Daniel Jumpertz

Emma Fitzgibbon

Rosa Spring Voss

Tamara Schumacher

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

This website may contain sensitive or triggering content