VCA ART 2022

Alice Edy

Master of Fine Art

I work with text within a neo-conceptualist paradigm, investigating relationships between time, memory, language and mark-making. My research project comprises a collection of experiments. Across this body of work, I employed a range of processes, all engaging with text differently. One piece is an artist's book comprising of hundreds of pencil rubbings of the same word – ‘beloved’ – collected from the Melbourne General Cemetery over the course of 3 years. Another is a series of ephemeral paper monuments – typographic prints made using sun-damage. Each project explores how we try to make sense of the world using symbols and signs. Viewed together, these works investigate the act of writing as an unstable process of materialising thought. 

Alice Edy, installation view, 2022. Documentation by Aaron Rees.
Alice Edy, installation view, 2022. Documentation by Aaron Rees.
Alice Edy, Beloved (work in progress), Melbourne General Cemetery, 2020 - 2022. Documentation by Matthew Hall.
Alice Edy, Beloved, Artist's Book, variable dimensions, 2020 - 2022.
Alice Edy, enstallation view, 2022.
Alice Edy, Logograms, Sumi Ink and Tar on Fabriano, 2021.
Alice Edy, installation view, 2022.
Alice Edy, Constellations, digital print on archival paper, 2021.
Alice Edy, The Alphabet of True Places, digital print on archival paper, wallpaper, variable dimensions, 2021.
Alice Edy, Nowhere Map, oil, acrylic, and ink on raw canvas, 2021.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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