VCA ART 2022

Francesca Havelock

Bachelor of Fine Arts (Sculpture)

I often think about how the materials I am so drawn to would interact what they would say to each other something elegant and perhaps romantic while also laughing in your face I think about you and how much you make me laugh and the dog we don’t have together yet and I keep that stupid dick pillow I made in my studio to remind me that things are never as serious as people like to pretend I like a glance between something sentimental and something that makes you laugh but also the history the history of material is so important to me material is everything and anything and nothing will ever compare to your lived experiences dad made me some bok-choy with a little soy sauce and oyster sauce and mum always brushed my hair I am drawn to things that are both soft and hard things that pair well together they just seem to match I want my hair to grow long and I want to make a corset I think about my body and the things that I wear and the days I can’t decide what to put on so I just don’t bother to leave the house.

Francesca Havelock, installation view of North Dakota, Hanger, My Hairy Love and Heirloom, 2022. Documentation by Christo Crocker.

These objects work together in conversation to reveal small parts of family history, lived experience and connection to the body, one of which is not entirely present. Through my material play, I hope to spark something beautiful yet grotesque, often how we picture our own bodies to be.
Francesca Havelock, Puncture (melon edition); a note to Eva Hesse, wood, screws, candy melon, elastic cord, 2022.
Documentation by Christo Crocker.
Francesca Havelock, Heirloom, muslin fabric, beetroot, tomato, onion skin, turmeric, pine, carved soapstone, 2022.
Francesca Havelock, detail of hanger concrete, bronze, lure, fishing rod and line, 2022.
Francesca Havelock, detail of My Hairy Love, wire, muslin, beetroot, onion skin, turmeric, latex, synthetic hair, steel rod, 2022.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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