VCA ART 2022

Poppy Jingxuan Chen

Bachelor of Fine Arts (Sculpture)

Transformation Vol.2: A Romantic Incident and Transformation Vol.3: A Better Place in
Divine are two chapters of the Transformation trilogy.


Transformation Vol. 2: A Romantic Incident is a triptych of videos documenting three
East Asian female archetypes. These videos are shown alongside a live performance by a Caucasian bartender who mixes drinks to a nonstop Bossa Nova elevator music soundtrack. The work imagines an alienated reality, a dystopic dating scene where the women literally talk the man to death.


Transformation Vol.3: A Better Place in Divine explores how reincarnation is projected in the game by metaphorically composing four archetypes of games: monopoly, hide and seek, Russian roulette and animal crossing. The work dreams of a perfect regime and community that could
possibly be envisioned in heaven.


Jingxuan (Poppy) Chen (born in China), lives and works in Australia.

Poppy Jingxuan Chen, Transformation Vol.2: A Romantic Incident performance, three single channel videos, RGB single LED tube light, bar, drink mixer, alcohols, ice, sound, 2022.
Transformation Vol.3: A Better Place in Divine
Poppy Jingxuan Chen, Transformation Vol.2: A Romantic Incident, 2022.
Poppy Jingxuan Chen, Transformation Vol.2: A Romantic Incident, 2022.
Poppy Jingxuan Chen, Transformation Vol.3: A Better Place in Divine animal crossing video game, 1 x1 m real estate property, digital print, 2022.
Poppy Jingxuan Chen, Transformation Vol.3: A Better Place in Divine single-channel video, sound, 2022.
Poppy Jingxuan Chen, Transformation Vol.3: A Better Place in Divine, 2022.
Poppy Jingxuan Chen, Transformation Vol.3: A Better Place in Divine, 2022.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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