VCA ART 2022

Fiona Martin

Master of Contemporary Art

This suite of works comprises an investigation into everyday movement; the gestures and actions that individuals carry-out daily, then forget. Held within these simple movements are demonstrative blueprints of evolutionary mastery as well as evidence of ingrained patriarchy, embodied temporalities, love-ties, bindings to shared ancient ancestries, and interspecies parallels.


In editing, I discombobulate the familiar and interrupt the presuppositions we hold regarding such ordinary manoeuvres. Reframing the everyday is achieved via suspension of disbelief. I am influenced by Yvonne Rainer's No Manifesto which rejected the virtuosic.


The participants in my videos - my family, and friends - improvise within simple choreographic scores allowing for freedom of expression inside their boundaries. The personal textures and intricacies of movement are exquisite and touching to me.

Three projections of people on a wall and screens, one is of a woman on a wooden floor and one is of two people plaiting their hair together. The third projection can only partially be seen and is of a woman hanging upside down and swinging.
Fiona Martin, Scores install, Martyn Myer Arena, 2022. Documentation by Lucy Foster.
A person on a screen up high, hanging upside down with arms in the air. They look like they're swinging.
Fiona Martin, Bird/Bat: A Score of Swinging, 2022. Documentation by Lucy Foster.
Two screens with women projected on them. One woman is shelling peas with four arms, the other hangs upside down and is swinging.
Fiona Martin, Scores Install at Martyn Myer Arena, 2022. Documentation by Astrid Mulder.
Fiona Martin, Bird/Bat: A Score of Swinging, single channel video, 1m 34s, 2022.
Fiona Martin, Four Arms Nanna, A Score of Shelling, single channel video, 1m 7s, 2022.
Fiona Martin, Plait, A Score of Bending and Braiding, single channel video, 1m 22s, 2022.
Fiona Martin, Scores install at Martyn Myer Arena, 2022. Documentation by Astrid Mulder
A black and white photo of five people wearing all black clothes rolling along a wooden floor.
Fiona Martin, Rolling, A Score of Jostling and Passing, After Yvonne Rainer (still), single channel video, 5m 24s, 2022.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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