VCA ART 2022

Michelle Tonkin

Master of Contemporary Art

Using performance, video and sound, Formless Intimacies is an exploration of intimates encounters between the membrane of the body and the porous boundary of objects. Ritualised spaces are imagined through a performative intent, which uses the mediums of air, breath and space to inflate a seeming absence into a resonant presence. In this way, an ordinary object such as a garbage bag, transforms into an object of wonder.


Sculpting intent in this way, each breath that is taken becomes an agent in healing the space between the body and the world, self and other.


With intent and object combining as an open-ended poetic resonance, I hope to evoke something that is unbound, limit-less and which allows for open-ended possibilities of being.

Installation view of five large TV screens on stands that are configured in an open arc in a dimly lit classroom which has had the windows blackened out.  Each screen displays a video still that depicts a partially obscured human figure who is interacting with the glowing amber-coloured membraneous patchwork surface which is creating a cocoon-like barrier between the  camera person and the performer.  In some sections of the videos, this creates the affect suggesting the body is like a chrysalis.
Michelle Tonkin, Formless Intimacies installation view, five-channel HD digital video (16:9), 2.2 channel sound. Dimensions variable, 8:00min, 2022. Videographer Grace Dephoff, documentation by SLACK.
Michelle Tonkin, Formless Intimacies, video 3 of 5 (edited for preview) HD video, sound. Dimensions variable, 5:39 min. 2022. Videographer Grace Dephoff.
Video still that shows a large cavernous organic space that  is backlit by a golden light. The light illuminates sections of the amber coloured patch-worked membrane that is marked with lines of deep black irregular seams where sections of the surface are joined.
Michelle Tonkin, Formless Intimacies video still, five-channel HD digital video (16:9), 2.2 channel sound. Dimensions variable, 8:00min, 2022. Videographer Grace Dephoff.
Video still that shows a large cavernous organic space that  is backlit by a golden light. The light illuminates sections of the amber coloured patch-worked membrane that is marked with lines of deep black irregular seams where sections of the surface are joined.
Michelle Tonkin, Formless Intimacies video still, five-channel HD digital video (16:9), 2.2 channel sound. Dimensions variable, 8:00min, 2022. Videographer Grace Dephoff.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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