VCA ART 2022

Zahraa Tariq Alkahtani

Master of Contemporary Art

Profoundly inspired by the ancient Islamic Abrahamic stories of human life being created from earthly matter, my work embraces the understanding that all matter is connected. Thus, to reunite myself with the elemental substances of the world, I use the tangible materials of dust, wet earth, clay and pottery to invoke the intangible, spiritual human ‘soul’. Different colours and textures of sand, clay and soil found in varying geographical formations are used as metaphors for the diversity of ethnicities, genders, and cultures found among humans. These abiotic geological materials invite the viewer to relationally connect with a range of histories and subjective understandings of the contradictory ways of seeing and knowing that are all connected through universal origins.

Zahr installation artworks video and clay ceramic sculpture
Zahraa Tariq Alkahtani, Fafataqnahuma (fɑ:fɑ:tʌk nɑ:hu:mɑ:/ فَفَتَقْنَاهُمَا, installation artwork, two digital videos, sand, soil, and ceramics, dimensions variable, 2022. Documentation by credit Simon Strong.
Zahr installation artworks video and ceramic sculpture
Zahraa Tariq Alkahtani, Fafataqnahuma (fɑ:fɑ:tʌk nɑ:hu:mɑ:/ فَفَتَقْنَاهُمَا, installation artwork, two digital videos, sand, soil, and ceramics, dimensions variable, 2022. Documentation by Simon Strong.
Zahr installation artworks video and ceramic sculpture
Zahraa Tariq Alkahtani, Spirit and Matter 7, orange clay feeney raku gold, 30 x 25 x 35 cm, 2022. Documentation by Simon Strong.
Zahr installation artworks video and ceramic sculpture
Zahraa Tariq Alkahtani, Spirit and Matter 6, beige clay bennetts fine terracotta, 30 x 30 x 35 cm, 2022. Documentation by Simon Strong.
Zahr installation artworks video and ceramic sculpture
Zahraa Tariq Alkahtani, Spirit and Matter, clay, dimensions variable, 2022.
Zahr installation artworks video and ceramic sculpture
Zahraa Tariq Alkahtani,Spirit and Matter, clay, dimensions variable, 2022.
Zahraa Tariq Alkahtani, Fafataqnahuma (fɑ:fɑ:tʌk nɑ:hu:mɑ:/ فَفَتَقْنَاهُمَا, installation artwork, two digital videos, sand, soil, and ceramics, 02:24 minutes, 2022. Documentation by Simon Strong.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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