VCA ART 2022

Layla Vardo

Master of Contemporary Art

My work draws on the cinematic fragment as material process and method of reflection upon cycles of image remediation and seepage into spatial, cultural, and psychological experience. Architectural elements are systematically sampled and then set free from the original mise-en-scène of the movie frame to be transfigured anew as abstracted video montages that quietly implicate uncertain spatial relationships.


The impulse that underlies my practice arises primarily from seeking the void – be it a breath, a blank wall, a pause in speech or a fissure – in the digital materials I extract. Paradoxically this process is hyper-generative, and subsequently gives rise to a cacophony that teeters at the brink of new relational potentials - and the possibility of collapse.

Layla Vardo, Memory Palace Installation view, Fiona and Sydney Myer Gallery, VCA Grad show 2022. Documentation by Devika Bilimoria.
Layla Vardo, Memory Palace Installation view, Fiona and Sydney Myer Gallery, VCA Grad show 2022. Documentation by Devika Bilimoria.
Layla Vardo, Memory Palace Installation view, Fiona and Sydney Myer Gallery, VCA Grad show 2022. Documentation by Devika Bilimoria.
Layla Vardo, Mise En Abyme, video projection, aluminium composite panel, acrylic paint, 1820 x 1455 mm, 2022. Documentation by Devika Bilimoria.
Layla Vardo, Memory Palace, video projection, aluminium composite panel, acrylic paint, 2400 x 1500 mm, 2022. Documentation by Devika Bilimoria.
Layla Vardo, Smoke and Mirrors, video projection, aluminium composite panel, acrylic paint, 1880 x1500 mm, 2022. Documentation by Devika Bilimoria.
Layla Vardo, Memory Palace Installation view, Fiona and Sydney Myer Gallery, VCA Grad show 2022. Documentation by Devika Bilimoria.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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