VCA ART 2022

Jonathon Harris

Master of Contemporary Art

The Dissemblance of Breath continues my exploration of how we respond to grief. Utilising performance, sound, digital imagery and installation, the work is placed between the in-breath and the out-breath. In readiness for the final breath.


Performed across the entirety of the 2022 VCA Art show, The Dissemblance of Breath invites the viewer to meditate on their own life, memories of themselves and others as salt is swept across the space; away from a mass of torn material, formed by metaphorical wounds that have been stitched up, and yet leave a scar of the past. This is at once a meditation and a frenetic action to keep everything contained and as it was. An impossible task as each day begins.

The dissemblance of breath. Installation and performance.
Jonathon Harris, The dissemblance of breath, installation and performance, tulle, cooking salt, acrylic paint, digital projection, domestic chair and broom, 2022. Documentation by Matto Lucas.
The dissemblance of breath. Installation and performance. (Detail)
Jonathon Harris, The dissemblance of breath, installation and performance, tulle, cooking salt, acrylic paint, digital projection, domestic chair and broom, 2022. Documentation by Matto Lucas.
Kriah (i)
Jonathon Harris, Kriah (i), digital photography and collage, 110 x 80 cm, 2022.
Jonathon Harris performing at the LON gallery, Melbourne
Jonathon Harris, The dissemblance of breath monologue, performance, The LON Gallery, 2022. Documentation by Chippy Shots.
Jonathon Harris, Fageles (i), digital photography and collage, 110 x 80 cm, 2022.
Collage by Jonathon Harris
Jonathon Harris, I tear at my clothes, digital photography and green screen collage, 2022.
You had to be there (ACT-UP)
Jonathon Harris, *You had to be there (ACT-UP), printed SILENCE=DEATH T-shirt and Polaroid photograph, 2022.
The scan,  colour image printed on plastic by Jonathon Harris
Jonathon Harris, The scan, digital print on plastic, 84.1 x 118.8 cm, 2021.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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