Daniel Jumpertz

Bachelor of Fine Arts (Photography)

My process is driven by my intuitive aesthetic, developed over decades of close observation of – and responses to – culture and media. Poring over decomposing media formats, I search for portals into a flickering consciousness.

My most recent work – drawing on the collapse of the USSR in 1989/1990 – uses immersive, multi-screen video projections and original surround-sound music, which acts as a sonic glue. The projections are refracted unpredictably, illuminating strange, dark places. My large-scale photographs compliment the video investigations. They mix warped scanning, digital printing and painting processes with an instinctive approach to design, collage and colour.

Social

Instagram, Youtube

Enquiries

djpj@me.com

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Daniel Jumpertz, Lonely Soldier excerpt from soundtrack to Now Is The Envy Of All Of The Dead, installation 2022.

Daniel Jumpertz, Now Is The Envy Of All Of The Dead, Six-channel video installation (looped), three light boxes, metal, glass, wood, television monitors, audio P.A, cassette deck with speakers, acrylic diffraction frames, perspex furniture, whiteboard, two acetate photographic prints, USB fan. Original music composition 20 minutes 16 seconds and Sound piece 11 minutes. Both looped. Lightboxes, ash frame in charcoal, c-type duratran prints, 80 x 52 cm, 2022. Documentation by Lucy Foster.

Daniel Jumpertz, Now Is The Envy Of All Of The Dead, Six-channel video installation (looped), three light boxes, metal, glass, wood, television monitors, audio P.A, cassette deck with speakers, acrylic diffraction frames, perspex furniture, whiteboard, two acetate photographic prints, USB fan. Original music composition 20 minutes 16 seconds and Sound piece 11 minutes. Both looped. Lightboxes, ash frame in charcoal, c-type duratran prints, 80 x 52 cm, 2022. Documentation by Lucy Foster.

Daniel Jumpertz, Now Is The Envy Of All Of The Dead, Six-channel video installation (looped), three light boxes, metal, glass, wood, television monitors, audio P.A, cassette deck with speakers, acrylic diffraction frames, perspex furniture, whiteboard, two acetate photographic prints, USB fan. Original music composition 20 minutes 16 seconds and Sound piece 11 minutes. Both looped. Lightboxes, ash frame in charcoal, c-type duratran prints, 80 x 52 cm, 2022

Daniel Jumpertz, Afterlife (left), lightbox, ash frame in charcoal, c-type duratran print, 80 x 52 cm, 2022
Daniel Jumpertz, Tailights Fade (right),lightbox, ash frame in charcoal, c-type duratran print, 80 x 52 cm, 2022

Daniel Jumpertz, Nena, Single channel (looped) video projected onto Shattered acetate print hung from black metal frame, Angora - original composition, 6 minutes, 2022.

Daniel Jumpertz, Moskva, Australian hardwood frame stained light black, large format digital inkjet (pigment) printing on Canson archival paper, 111 x 164 cm, 2022

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Warhol Is Dead excerpt from preliminary soundtrack to Now Is The Envy Of All Of The Dead, installation, September 2022.

Alexander Fredriksson

Nnamdi Ekeledo-Smith

Benita Beveridge

Daniel Jumpertz

Emma Fitzgibbon

Rosa Spring Voss

Tamara Schumacher

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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