VCA ART 2022

James Dryden

Bachelor of Fine Arts (Photography)

I use photography to document the world in a way I find pretty. However, for me, photography is not made to be pretty through its properties of accurate worldly representation but rather by the beauty of how individuals see the world. My practice engages within the limitations of a pure analog process, primarily challenging the instinctual "see to believe" relationship between the viewer and the photograph. Rather than clearly portray an image, I use my work to challenge the audience. Make us all question how the function of photos fits into the way that we see and interact with the world, after all, truth is to the holder, the perspective, but should all perspectives be taken as fixed truth?

James Dryden, Installation View, 2022. Documentation by Aaron Rees.
James Dryden, Tree Bark 7, chromogenic print, 250 x 315 cm, 2022.
James Dryden, Flowers in a ditch 1, 2022 / Flowers in a ditch 2, chromogenic print on dibond, 100 x 137 cm, 2022.
James Dryden, Verdant, chromogenic print on dibond, 108 x 138 cm, 2022. Documentation by Aaron Rees.
James Dryden, Pigment, chromogenic print on dibond, 106 x 128 cm, 2022.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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