VCA ART 2022

Tara Denny

Honours

Working as a sculptor in bronze and clay, I materialise my own personal mythologies. My practice uses feminist methodologies to resist the cultural erasure of women’s work, cementing entropic experiences of love and the bittersweet pull of fantastical realities into objects of great permanence. Evoking long traditions of oral histories passed between women, I like to conceal diaristic scrawl into the work’s surface. The archaic materials used in my practice act as tribute to the latent unknowability of feminine experience, suggesting wide rifts of loss and amnesia. Works arrive broken and in fragments, ripe with decay, as though resurfacing from a fallen time to finally encounter the public’s gaze.

Tara Denny, even watermelon seeds.. seemed to weigh a ton, 2022. Documentation by Christo Crocker.
Tara Denny, even watermelon seeds.. seemed to weigh a ton, 2022. Documentation by Christo Crocker.
Tara Denny, even watermelon seeds.. seemed to weigh a ton, 2022. Documentation by Christo Crocker.
Tara Denny, even watermelon seeds.. seemed to weigh a ton, 2022. Documentation by Christo Crocker.
Tara Denny, even watermelon seeds.. seemed to weigh a ton, 2022. Documentation by Christo Crocker.
Tara Denny, even watermelon seeds.. seemed to weigh a ton, 2022.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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